How often have you come across this kind of definition? It is well known to specialists in the field of design, architecture and puts in some confusion those who encounter this concept for the first time. Technical aesthetics is a way of knowing the world according to the laws of the true and beautiful with the help of industrial means. This is the observance of harmony and balance in the creative architectural world. Let's go a little further and delve into this in more detail.
Technical aesthetics is…
No wonder technical aesthetics is otherwise called the poetry of architecture. The definition of technical aesthetics is reflected in the design, the appearance of beautiful things and objects, the cult of their practicality and aesthetics, ergonomics and minimalism. This is the theory of construction and design. What is design if not an aesthetic continuation in the field of the industrial industry? Technicalaesthetics and design are closely related.
This concept is the result of a multiple analysis of various factors, on the basis of which optimal conditions for human life are created.
About the theory
The definition of technical aesthetics from a scientific point of view is nothing more than a discipline that covers not only socio-cultural, technical and aesthetic issues of the formation of a harmonious relationship between a person and the world and everything that surrounds him. It also affects economic and psycho-physiological factors. Considers the relationship between ergonomics and technical aesthetics.
Basic Principles and Methods
The basis and the very essence of technical aesthetics are the principles and methods of artistic construction, design, taking into account the difficulties encountered in the way of designers in the implementation of their creativity.
Here the more material and tactile experience of knowing the world prevails. Knowledge through sensations, perception, analysis, contact, observation - all this is a decisive catalyst in determining the right tasks and attitudes in technical aesthetics. Without them, constructive and productive work simply cannot be.
A bit of history: the idea and the basics
The very idea and concept of technical aesthetics originated in the 19th century, long before the advent of design. The concept of aesthetically valuable products of production was introduced in 1857 by the English artist and art theorist JohnReskin. He considered the art of everyday things fundamental in the hierarchy of arts. His call of a regressive nature, namely a return from machine production to manual production, was certainly utopian, but reinforced by the prevailing confidence in the uniqueness of such products, their durability, quality and practicality.
Reskin adhered to the principle of worshiping nature and idolized the art of the early Renaissance. He was full of rejection of mechanization as such and praised the Gothic style precisely for its belonging to nature and nature on the one hand, and at the same time for strength and firmness on the other.
Another German art theorist and architect Gottfried Semper outlined the foundations of technical aesthetics. He determined the purpose of a thing by:
- on her material;
- by manufacturing technology;
- for its functionality and practicality;
- according to the ideological views of this society.
"The Poet in Technology", Werkbund and the formation of the idea
Another German scientist, esthete and industrial design follower, Franz Relo, stressed the need for joint cooperation between art and technology. He advocated the progressive introduction of architectural styles into the field of mechanical engineering.
Belgian artist and architect Henri Van de Velde, one of the founders and promoters of the Art Nouveau style in his native country, also stressed the need to combine technical and artistic aspects with the essential functional purpose of the product.
The founder of the Werkbund production union Hermann Muthesius focused onsocial and aesthetic aspect of design. His associates set themselves the goal of reorganizing construction and artistic crafts in a renewed and modern way. It also emphasized the social and aesthetic aspects of design. Its founders emphasized that products that are well designed and practical at the same time at an affordable price can only be realized through industrial production.
Representative of the Düsseldorf Art School, one of the founders of modern industrial architecture and design, Peter Behrens also defended the principles of practicality and functionalism, like his predecessors.
One of the founders and directors of the Bauhaus, the German architect W alter Gropius advocated the need for technical aesthetics, which refers to the design, which, in his opinion, gives the necessary special charm and framing of products.
Already at the beginning of the 20th century in Russia, the idea of harmonious coexistence of beauty, functionality and practicality between technology and art was also born. And gradually the image of the idea is transformed from theoretical to practical.
General Design Theory
In the main sections of technical aesthetics, one can single out the theory of artistic design and the general theory of design, which studies its social component, the factors that contributed to its emergence, history, current situation and further development prospects, as well as the relationship with technology and art, aesthetics and the environment. Underher tutelage is to control the formation of such a quantity of goods that would meet the exact demand in the objective world.
Art Design Theory
On the other side of aesthetics stands the theory of artistic design, in which the requirements of technical aesthetics have found their expression in shaping and composition, design, and also identified the available tools necessary for the designer in his work.
And already on the basis of a summary of the design work, an artistic design technique emerges that gives the right direction to a potential designer or architect in his work, serves as a kind of cheat sheet that is always at hand. What else does this method include? First of all, it contains the experience of the work performed by the same fellow craftsmen, gives hints on the materials and tools they used, mistakes made and ways to resolve them, subtleties and tricks, and also provides a visual representation of the result of choosing a particular technique or technique.
Conclusion
No matter how many pitfalls technical aesthetics hides, and this is now, of course, understandable, it must be developed, if necessary, introduced or encouraged, since the level of its development directly affects competitiveness not only in industrial sectors design and architecture, it covers almost all levels of industry.
And at the same time, everything shouldbe observed harmony, unity and orderliness.
